Saturday, September 11, 2021

Walking Around St. John’s Cemetery, Komatke, AZ, GRIC: Youtube Video by Urban Pima Pie


“Look at the clouds.  


That’s the service center in the background, our community park.  This is the Catholic cemetery.  


That’s my car over there.  


The sun is going down.  


There’s some people over there.  I don’t know what they’re doing.  It looks like they’re sitting on the graves.  Some one is listening to tribal music.  


I have a lot of relatives back there in those houses.  


It looks so cold out here but it feels good.  


I got a Signature Cocktail—Sex on the Beach—and some Chinese food waiting in the car.  


This is my cousin Sam—mainly known as Uncle Sam—one of the first people I met when I moved here.  He really showed me what rez life is all about.  He was murdered.  

Come on, this way.  


This is my cousin, Chaya.  She was obese and had diabetes, and, you know, all the problems that come with it.  She was my age—43, maybe 44—young.  She was crazy, though. 


Let’s walk this way.  


Tiny is in the car—I don’t want her to get eaten by coyotes.  


Here’s my grandma, Bertha—she had a tumor—and my grandpa—he had a heart attack—and my pop—alcohol.  He was young.  


These are my uncles—Floyd and Richard, who committed suicide.  Floyd, he was stabbed at a party and died in my grandmother’s yard.  Richard felt so bad for leaving him he hung himself in the trees way back in the mountains.  It happened so long ago I forget which it was.  


That’s Auntie Linda.  She had cancer.  


That’s the casino lights over there.  


Look at the sky.”




Saturday, November 28, 2020

The End of US

  for all those who played with me, and US


Originally purchased from Apple Music, circa 1985, US started life as a Kramer Focus. Since I wasn’t getting an endorsement deal, I didn’t have much “brand loyalty,” and, at some point, pretty early on, I scratched off the other letters (Foc…).  It didn't occur to me that the remaining letters probably gave rise to false impressions of my patriotism.  

 


 

Though I might be wrong, I think it was actually the owner, Kelly, who sold the guitar to me.  Some time after that, when I was in the store, I put a guitar back on the rack and accidentally knocked a bass off — it fell and snapped the tuning peg off.  He reassured me that I was a good customer and didn’t seem to mind, though I’m sure he did.  Many may not have cared much for him, or the store, but they never did me wrong.  

 

I sold my VW Bus to buy US.  Desperate to pay off the guitar, as I had it on “lay-a-way,” the Bus was probably too expensive, being so poor at the time, and probably driving without insurance.  I went to a used car dealer on Powell, right before the Ross Island Bridge, on the East side—eager to take them up on their advertised “Cash for Cars.”  The building is now a nicer looking cannabis store, but back then the whole enterprise seemed sketchy and seedy, though I didn’t hesitate much before going into the smoke-filled back room with the shady manager, who, I’m sure, low-balled his offer.  I may have gotten two hundred dollars.  But I got the cash, and the guitar — my first “real” electric.  I had to take the Tri-Met bus all the way back to Gresham, a block from Mt. Hood Community College, where I lived at the time.  There were years and years of buses ahead of me, as well as the new MAX line that opened in 1986.  I still have a monthly transit pass, though at 21 I wonder how I was able to get a Youth All Zone.  It even has fare inspector notes -- I passed muster.  


So many hours, years, and life have been lived with this hunk of wood.  I basically learned whatever it is I know about playing with this instrument.  It probably even saved my life in 1992, when I had nothing else, at all.  And though they’re rather embarrassing to hear, the first recordings I made were done with US.  Those “Jungle Harp” days, and nights, which must have driven the downstairs, and upstairs, and anywhere neighbors beyond sanity.  How, or why, they put up with up with that racket has no justifiable or explainable logic.  And some of my better moments in PDX were with that guitar — the Telecafé Jams, the sessions with The Apostle Harvey, with Pat, the Jans, and John McDonald.  


When my first four-track recorder came along, US was the guitar, and remained so until one day at Guitar Crazy -- on Hawthorne at the time -- where I found RA.  As I moved between Portland, Washington D.C., and Tempe, Arizona so frequently, I transported the guitar in two pieces, reassembling it when I arrived at my new location.  US made more than one or two trips like this.  At some point, though, I had to choose, and RA won out, and it spent many years with me in Arizona and is heard on many recordings from the years 1994 until about 2005.  It's a bit sad that there's no pictures of RA.  But US stayed in PDX, with The Apostle Harvey, who I either gave it to, or who bought it from me.  It's not likely that I sold it to him -- it doesn't seem like me.  At some point, though, I must have either asked for or paid him back, because eventually it came back to me.  Could it be that he simply gave it back to me?  I’ll have to check.  In any case, that guitar and RA stuck it out for a long time.  I had RA probably up until about 2005, when, at I sold it during one of the Norfolk art fairs.  I’d set up my own yard sales in the green strips in front of the apartment building at 521 Graydon -- I should probably go into business, as I have pretty good luck with resell commodities.  By this time, there were other guitars, too -- the Fernandes with the Sustainer, the Schecter seven-string, and then my new mainstay, the Jackson Soloist.  After that, US pretty much never left the closet.  


Much, much later, I convinced my son to keep US in his room, hoping he'd play it, but after some damage to the toggle switch, back in the closet it went.  Though it still had its mojo, the old style Floyd Rose made tuning a major endeavor.  The Jackson is also just easier to play.  So, after 35 years (!), I finally sold it -- too cheaply, probably, but I sell gear hoping that the new owner will play it more than I do.  I even give instruments away — the Schecter seven-string went to one of my son’s friends.  Still, it’s a bit sad to part with so much history, and thinking about how much is in that instrument — it’s so much more than the money at this point, it’s me.  I’ve essentially given away part of myself, which is also kinda liberating.  I’m no longer that person who bought that guitar, who did the things that guitar may have been witness to, and though that’s my own history, sometimes it’s good, and important, even necessary just to let it go.  


Sunday, August 23, 2020

There will be time...

                                              There will be time, there will be time

                              To prepare a face to meet the faces that you meet....

                                                                        --T.S. Eliot, "The Love Song of J. Alfred Prufrock


                                             

Friday, January 17, 2020

Useful Fiction: Continuation

         All change is a miracle to contemplate, but it is a miracle which is taking place every instant. 
                        Henry David Thoreau, Walden

Go slow, wander, read, write, listen
 and remember: time no longer 
   separates—the present surrounds,
 envelopes us, erases all
 hours’ distinction.  In time—the most 
  in time—just an outline of sand,  
 time and nature synonymous,
  creating this useful fiction—
  a truth without limit, present 
 bounded only by the words we  
   use to make the impossible.
I take you with me, live informed 
 by history ever-changing,
  lasting along, stretching between 
  us, thread and strands—broken lines of 
eight connecting our presence.  Then  
 and now I hear intrusions, these
  other presents, histories on
 the margin of our own, impinge,
  act out their will—lay open palms— 
 pass the body’s permeable 
   surface, bleeding into soil, a 
 harvest of lives and what we are. 
Out the open window—morning 
 glory flowers. . .  We drove as far, 
 as long we could—the sun went down 
  and the moon came up and out of
 Idaho—a big purple orb 
  rising across the night sky—a 
 morning star—kept us all the way.
Wyoming by night—Nebraska.  
Trains rumble in the distance with 
  low grumblings, lights cutting dark, the 
 dissonant horns blasting distance—
   a broad margin in the present
 stretching beyond the limits of 
  sublunar sight.  A document  
 of time, we make this fiction to
  live within, the present a gift
 for hereafter, these few days left
  to fill with words, and counting what
    remains finite—to disappear,
   grow old, wither and die, become
 an element of earth again.
Still, the current speeds us along. . . 
After a dark wintering night 
  dawning nature—our eyes transmit 
 spectacles of this universe,
   as night veils and the day reveals.  
Our history becomes its own 
  spectacle, part of nature, the dark
   made light, and in its glorious 
 creation now.  These our gifts—the 
 moments gathered here within and
  freely bestowed, these instants add 
 up to eternity.  Little 
  figures of time—dust and chaff yet
 add them, and then multiply, by two,
 or collate them, interspersing,
  even quoting them, a kind of
 remembering that adds layers
  and generates its own living 
 environment, an atmosphere
 capable of sustaining life, 
  enveloping us within a
  sublime landscape, with seasons hot,
 wet, warm and cold.  Heaven is just
  under our feet, when we dare look.
This our living document, this
  useful fiction, mends rifts—fissures 
 of stress and force—contains time, a 
  present gift, and comforts hardship. 
We make it as it makes us, too,
 even on the hardest of days.
Even daily, miracles may
 form faith—simple gestures, seeing 
   made new, revelations,
 living with a broad margin at 
  the cusp of some speculative 
   endeavor and understanding 
 you will never fully know why,
   yet still beat on.  Each word shall be
   continuous, without border, 
  beginning or end, all part of
 the living whole, an unbroken 
  stream of time made just and right for 
 you, all those who may come after.
I speak only to you, and those 
 willing to listen—attentive—
   to trains roll through the night, watch birds 
  dash and soar, cringe as lightening 
 cracks, gaze as she dresses early
  in morning light.  You give life its 
 potential—to breathe, stretch in the
  sun, lay in the tall grass, nothing
   less than a free soul set loose from 
  its bounds to change the world and all
 within and out.  We might tend a
  smaller margin, read less, drive more
 but we desire living art, a 
  useful fiction that ebbs and flows 
  like moods, seasons moving along 
 in time, with time, as time, living
  promise of what is yet to come. 
Cicada Cat

On our last night we met at Burrito 
Brothers in Dupont Circle to walk up 
Connecticut, stopping on Taft Bridge to 
Take mental pictures—the lush green of Rock 
Creek Park in the hazy August sunset—
Then over to National Cathedral, 
Sweating the whole way.  In those dark alleys, 
Thick with vines and shadows, a symphony 
Of insects played their ancient repertoire 
Louder than the traffic on Wisconsin.  
We watched that cat jump to catch cicadas 
Within street light’s florescent cone.  She held 
Them under paws, patting to get their buzz, 
Ate them with a discernible crunching. 

Dupont Circle

Beer drinking queens and
Roller blading queers 
Vie for attention.
Deathly sick pigeons,
Torrential sparrows,
And homeless eager 
For any offerings.
They bathe by the grace 
Of sea, stars, and wind. 
The National Zoo

Bongos and brownies.
Traffic noise.  Gentle 
Tapir lolling in 
His dirty round pool.
Kentucky

Hush puppies and catfish.
Buffalo head nickels.
Cheap humid hotel sleep.
Nebraska

Purple flame moons,
Whippoorwill cries,
Kearney cow skull.
My father was
Not home that day. 
Some Where in Utah Reading My Journal on the Roadside

Reds, yellows, browns 
Color roadside 
Mountains.  Flys hum 
In sunny heat.
The Sapporo’s 
Back seat cradles,
And no one stops.
Mt. Tabor

Portland disappears in 
Mists of rain, rolling brown 
With earth.  Moving trees stretch 
To gather water from 
The sky.  Dropping it, they
Bend reluctant, bow in 
Time to rhythms their own.
Cape Meares

Surreal planet of night,
How many sunrises 
Did we see in one day?